How will we know it’s us without our past?
LJHS exhibitions are sponsored in part by ArtWorks San Diego
Tangible Memories: Recollections of La Jolla Pioneer Women
February 9 - May 19, 2019
Women played a seminal role in shaping La Jolla in the early 20th century. Their legacy lives on through the historic structures they built, the momentum they created for civic and artistic life, and the memories shared by the community. The life and history of ten women pioneers—including businesswomen, educators, and architects—will be examined and artistically interpreted by ten female contemporary artists. Each artist is paired with one historic figure to research and bring back to life by creating a painting, photograph, sculpture, or interactive installation that honors the essence and meaning of that pioneer woman’s life. Artists are invited to consider the personality and interests of each woman, the role each female trailblazer had in society, and how they helped cultivate a stronger community. The pioneer women are Louise Balmer, Mabel Bell, Florence Sawyer Bransby, Anna Held, Florence Palmer, Lilian Rice, Mary Richmond, Mary Ritter, Ellen Browning Scripps, and Virginia Scripps. Participating artists include Tara Centybear, Taylor Chapin, Becky Guttin, Bhavna Mehta, Lee Puffer, Bridget Rountree, Anna Stump, Cheryl Tall, Kelly Telebrico-Schnorr, and Rebecca Webb.
Curated by Danielle S. Deery
Funding for this exhibition generously provided by Sandy and Dave Erickson, Barbara Freeman, Meg Davis and Brian Earley, the Florence Riford Fund of the San Diego Foundation, and ArtWorks San Diego. Institutional support provided by the City of San Diego’s Commission for Arts & Culture and by the Members of the La Jolla Historical Society.
Image: Mabel Bell | Bhavna Mehta 2018
LITVAKdance | Re-imagining Suffrage
In conjunction with the exhibition Tangible Memories: Recollections of La Jolla Pioneer Women, LITVAKdance presents three performance pieces on the property around the Wisteria Cottage entitled Re-imagining Suffrage. Artistic Director Sadie Weinberg choreographed the two main works, and a third transitional solo was made by dancemaker Betzi Roe based on the early owner of the cottage, Virginia Scripps. In this solo, Virginia acts as the host of the evening, ushering the audience from the front of the cottage where the first duet (loosely based on a scene from the 1897 play La Ronde) takes place, to the back of the cottage where a quartet completes the performance. Costumes are inspired by styles from the period 1895 through 1915. LITVAKdance is comprised of seven women, and the dances touch upon women's themes that transgress time and place, and consider women's place in society, including questions about class, race, sexual orientation, gender equality and diversity.
Presented at the La Jolla Historical Society | February 8, 2019 | 5:30pm
Image: Dancers April Tra and Beverly Johnson | Photograph by Doug McMinimy